Floral painting, L.Schade "Springdays II"
- Work Title Springdays II
- Artist: Lydia Schade
- Format 80 x 80 x 4 cm (width x height x depth)
- Technique: Acrylic technique
- Material: finest acrylic colours on canvas
- ready covered deep gallery stretcher frame
- ready to hang delivery
- certificate of authenticity issued by gallery inclusive
- signed and dated by artist
- Colouring: light blue
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Additional option: Custom-made shadow gap frames made of solid wood
Together with our cooperating frame manufacturer, we offer you custom-fit real wood shadow gap frames, precisely tailored to the millimeter of your ordered artwork. Choose the right frame for your new artwork from the options under accessories by simply adding it to your shopping cart in the right size. We assemble and deliver completely! Since the frames are individually and specially made, please expect an additional delivery time of about 7-10 days.
You can find the right frame for your painting as well as other accessories here: > Shadow gap frame
Our service for you: We assemble the frame ready and send the complete work including frame in the connection completely ready to hang out to you.
The artist Lydia Schade-Fox
 | Lydia Schade-Fox, born in 1974, succeeds in the exciting synthesis of realism and abstract art in an unmistakable way. Filigree variations are among her favorite motifs. The lines express her graphic talent quite bluntly. Empathy and an extraordinary power of observation characterize her works. At home in practically many artistic genres, she is able to lend her ideas a multifaceted, subtly nuanced expression. |
Today the artist lives and works as a freelance artist near Dresden. The painting of L.Schade-Fox lives on multifaceted colour tones, which are always in harmony with different materials and contrasts in her abstract paintings. In her creative process always new discoveries arise, which she elaborates in detail and leads to completion.
Since 2003 Lydia sells her art successfully worldwide and experiences always positive resonance, not least by increasing variety in her motives. Her painting technique is fluid, partly scratchy and often built up in numerous layers.