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Acrylic painting in portrait format, modern art "Fairy Fireplace" unique piece
Original painting by Stella Hettner: "Fairy Fireplace"
The basis for the painting of the newcomer living in Northern Germany is the color field painting. The hand-painted painting shows a two-part abstract representation with the two natural main colors red and ivory. The represented color subdivision refers to a consistently free interpretation of the artist, which is completely free of objects. For the viewer it should be freely interpretable in every respect.
| General information on buying art The Inspire Art gallery guarantees the authenticity and originality of all artworks offered. Each unique piece is subject to a creative process and was created with passion, artistic commitment and a lot of love. All available works are currently in our gallery stock and are ready for immediate dispatch or collection. With over 16 years of gallery experience, we guarantee the best possible handling and responsible service in online art acquisition. For further important information on viewing and collection by appointment in our gallery, please click here ... Read more Weiterführende Links |
Additional option: custom-made shadow gap frames made of solid wood
Together with our cooperating frame manufacturer, we offer you custom-fit real wood shadow gap frames, precisely matched to your ordered artwork to the millimetre. Choose the right frame for your new artwork from the options under accessories by simply adding it to your shopping cart in the right size. We assemble and deliver completely! Since the frames are individually and specially made, please expect an additional delivery time of about 7-10 days.
You can find the right frame for your painting as well as further accessories here: > Shadow gap frame
Our service for you: We assemble the frame ready and send the complete work including frame afterwards completely ready to hang out to you.
The artist Stella Hettner
Stella Hettner, who lives in Mewegen, reacts to the flood of media images with extreme flatness, abstract sign language and the renunciation of gestural traces. "I want to avoid my paintings having anything transcendent about them," she says of her withdrawal from the sphere of meanings and sensations. To do so, she accepts that her paintings often appear decorative. Whether the artist paints on paper or on canvas, the pictures always comment on systems that refer to themselves. Image manipulations, which have been developed for the electronic media and have long since influenced our viewing habits, such as an unnatural colorfulness, are regarded by the painter as additional possibilities and freedoms of her profession.