Abstract art pictures, Conny Niehoff: "The signs in the past"
- Work Title The signs in the past
- Artist Conny Niehoff
- Dimensions (format): 80 x 120 cm
- Colouring: old white & grey
- Technique: acrylic mixed media
- Material: finest acrylic colours on canvas
- ready mounted real wooden stretcher frame
- ready to hang delivery
- certificate of authenticity included
- Painting is signed and dated
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Additional option: Custom-made shadow gap frames made of solid wood
Together with our cooperating frame manufacturer, we offer you custom-fit real wood shadow gap frames, precisely tailored to the millimeter of your ordered artwork. Choose the right frame for your new artwork from the options under accessories by simply adding it to your shopping cart in the right size. We assemble and deliver completely! Since the frames are individually and specially made, please expect an additional delivery time of about 7-10 days.
You can find the right frame for your painting as well as other accessories here: > Shadow gap frame
Our service for you: We assemble the frame ready and send the complete work including frame in the connection completely ready to hang out to you.
The artist Conny Niehoff
 | Conny Niehoff, born in Womirstedt in 1968, has been working as a freelance artist since 2002. She lives and works in her studio in Colbitz near Magdeburg. Since 2013 she has been giving painting courses in the Munich area through the Akademie Wildkogel and organizing weekend workshops in her own studio in Colbitz. The knowledge of transience, visions of the world, the normal everyday life and the sensitivity for what surrounds us, are the themes of the paintings of Conny Niehoff. Themes which she works out layer by layer to motifs on canvas. |
If these themes are initially intuitively subordinated to the color, they grow out of the picture again through the application of strong structures, without losing their abstraction. In dialogue with the canvas she catches the unrestrained, balances loose energy into equilibrium. Outside and inside, the foreign and the own are effective forces in her painting. The real and the unreal merge. She allows the viewer to see through and ambiguity, lets him participate in the adventure of something new, unknown. Her paintings are diaries of her thoughts and perceptions, show what she has experienced and seen, and yet leave enough room for everyone to make their own interpretation.